After the film introduction Henry continues to voice over his
past. The camera does an extreme close up of Henry's eye, which appears green
with dilated pupils, similar to that of a cat eye. it demonstrates his
intensity and absorption is the activity across the street, inciting the viewer
and drawing them in with his line of focus. It zooms out to a close up and you
see Henry looking through a set of slatted Venetian blinds, metaphorical of the
separation his family home causes him in order to be a part of and in
association with the gangster circle. As well as this there's the more obvious
connotations between the bar like shadows cast across Henry and the illegal
activity performed across the street that he wants to be involved with so much.
During this shot Henry says "They did whatever they wanted"
demonstrating binary opposition as he is trapped and blocked off at that moment
from being a part of their world. However when he gets involved to him it
appears to give him a sense of freedom although that gangster culture and
lifestyle is, to many, seen as a form on entrapment in itself.
Henry presents himself to his mother in his new clothes, which
symbolise him becoming fully ingratiated with the gangster organisation, she
says "you look like a gangster" and it gives the impression that his
smart suit holds a similar role to that of a uniform. This time he is outside
of the family home, but he looks happy about this in comparison to the almost
sour impression he gives off when in the house. Also his mother doesn't welcome
him in, instead she keeps him outside like this has symbolised him moving away
from her family and into the family of the gangsters. The camera tilts down
when he says about his shoes as if his mother is looking down on them, even
though they are what he is most proud and is metaphorical of her opinion on his
gangster involvement.
Although Paulie is surrounded by people that he refers to as his
family he doesn't appear to connect or talk to anyone and somewhat disconnects
himself from the people there. He sits centrally at the BBQ but no one looks at
him directly and he looks out not making eye contact, and poses somewhat like a
deity which could be compared to painting of Jesus of the last supper; in which
everyone at the table looks away from him and he looks out of the photo.









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